The Sweet Life
In To Kill a Mockingbird, a plate of roast beef mashed potatoes and vegetables is covered in thick maple syrup.
In La Dolce Vita, Fellini creates a wandering film classic, anything but sweet. Maybe syrup? Idk.
In two new merged diptychs, digital photo collages, Behan looks for that same sweetness — the sweet life that everyone dreams of, hopes for, gay or straight, and everyone deserves a shot at, win or lose.
Surely Fellini and Atticus would agree, syrup and all.
— Behan
