On the Nature of Space
Two compositions. Two strategies. One argument.
The first follows recognizable space — a room, a bed, a window, warmth. Gay life rendered as ordinary and inhabited. The radical act is simply showing it as if it belongs. Because it does.
The second breaks space entirely. Faces become architecture. Scale collapses. There’s no floor, no room, no wall. The disruption is the point — queer existence doesn’t fit inside conventional pictorial logic because it was never meant to fit inside conventional social logic.
Different formats. Same truth.
